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狡兔三窟，只求好人家
2009-04-12
我今总也算是有个flickr了。摆照片。
本来以前也是有个flickr的。但密码邮箱统统忘记，只能添到这个的好友里（这次记牢是anita1125@ymail.com 善哉善哉）。倒真可怜见的，明明是一个人，倒要穿两身衣，我看着朋友列表里另外一个自己，简直有点文艺化伤感倾向。
今天哗啦啦了一下，春节时那些摆在facebook上的泰国照片基本又在flickr这摆上摊了。只是flickr限制得罗嗦，一来是一个月不超过100M，我才不过加了四个照片册，第五个就亮起红灯——本月已使用 88% 的相片空間（上限為 100 MB）和 0 部視訊（上限為 2 部）。
不仅如此，数量还有限制。——你有 177 張相片儲存在 Flickr 上。達到 200 張後，你將需要升級至 Flickr Pro account，否則你將僅可以查看最新的 200 張相片。
这前一个也罢，咱长期作战，细水长流也好。可这第二天真是霸王条款，哦弥陀佛。能上传不能查看，……那我辛苦传上去难不成是把flickr当硬盘来使？
那pro倒不算贵，“天啊！真便宜 一年期的pro account只需$24.95”，flickr自个先吆喝上了。不过这年头多少网站都是既没有限制又无需收费，何必赖在你家。怪只怪我哗啦啦地流畅了点，现半条腿跨进去了才看到门旁恶犬呲牙索要肉骨头去安抚。真是进退两难。达人可有建议？
在再开房之前，请点击blog右侧
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[照片][泰国]
2009-02-23
最近写的少了，GOGGLE READER上越收集越多，光顾着看去了。
其实倒也写了一些，只是都存在草稿箱里。哪天等太阳出来了理理拿出来晒吧。
鉴于本人懒和追求完美两种特性的并存。先把这次CNY期间去泰国的照片链接放在这吧。免得总想着写得完善美好再发，又不知道啥辰光了。
请一起YY吧！
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great performers 是谁表现谁？
2009-02-18
"When I do my work and I am exposed to the suffering of others - their loss or, at times their death - I feel I am serving as a witness; that is my role and responsibility to create a record for our collective memory. Part of this, I believe, has to do with notions of accountability. Perhaps it is only in their moment of suffering that these people will be noticed, and noticing erases our excuse of saying one day that we did not know. But I also feel that it is in this very delicate and fragile space that surrounds death, the space that I sometimes have both the privilege and the burden of entering, there exists the possibility of an encounter with the other in a way that goes beyond words and culture and differences . It is about being exposed for a moment in front of each other and in front of the act and mystery of dying. In that moment I feel I am looking at something that I can't completely see but that is looking at me. It is in this exchange that something simultaneously universal and deeply intimate can be found; in the death of the other there is a loss that belongs to everyone." -Paolo Pellegrin
Paolo Pellegrin这段为AS I WAS DYING画册而写的文字非常让人动容（好象《丧钟为谁而鸣》的调调）。以前看到Paolo Pellegrin 的作品都是黑白的（甚至2008 Olympic Athletes系列），这次为NY TIMES拍摄的oscar铺垫片儿倒是彩色。仍然大量运用光影倒错。——这种技巧很有趣，黄夫妇也一直在用。
还有就是让我摆脱“平衡地平线”心理压力的倾斜构图。
Great performers：Kate Winslet，Frank Langella，Robert Downey Jr.，Sean Penn，Kat Dennings，Michey Rourke，Penelope Cruz，Brad Pitt
请点击右侧链接（耐心）http://www.nytimes.com/packages/html/magazine/20090205-great-performers/
等它打开的时候请先看
关于人像摄影有一个很有趣的问题，照片上所呈现出来的是谁呢？影象所传达投射和试图表现的，是那个人本身抑或是摄影师想法的折射呢，又或是公众所期望的那么一个image。是摄影师表现被拍摄者呢，还是被拍摄者借此构出自己的面貌？而对于长期暴露在镁光灯下的好莱坞明星，照片里的那个影象，是ta，是ta扮演的角色，还是ta身上的tyler？
太有趣了。
补充阅读：
Paolo Pellegrin: Witness to historyhttp://www.youtube.com/watch?v=VIml7aQJ_NQ
http://www.youtube.com/watch?v=HcU5Ba4ufqw
btw, ALL the color postproduction of Paolo Pellgrin is made by 10bphotography studio, an italian team of digital experts based in Rome. http://www.10bphotography.com
我也查看了这个网站，没有很清楚lol。说起来，真好奇后期处理在这些大师级摄影师作品中起的作用。如果有“毛片”和成品对比一定很有趣。
